To me, following a timeline is like being connected to a steady drip of calm and order. Creating the timeline isn’t always fun, however, but while I’m putting everything into place I try to remind myself of the rewards to come. Right now, for instance, I’m tweaking—well, I’m rewriting it if I’m going to be completely honest—the original timeline of my novel. My agent would probably rather hear that it’s done, but let’s keep that to ourselves, shall we? In any case, it is coming along rather nicely.
What’s nice—and key actually—about investing in a timeline is that it keeps everything flowing. Or not. You can move scenes around. You can see more clearly the omission of a scene or the curious absence of a character that has no business being AWOL. Quite simply, a timeline is more than just a list of what happens in a story. It lets you know if you’re on the right track. It gives your story some order.
But as I mentioned earlier it’s not always a cake walk. Indeed, it is sometimes the very last thing I want to do. I once told someone that having a good copy editor is like getting your manuscript flossed. In a similar way, working off a good timeline is like writing on a path that is cleared of chaos and debris.

